Review by: Hatta B. Sasono
Makoto Shinkai’s newest animated feature film “Kimi No Na Waâ€, also known as it’s translated title “your name†premiered on the August, 26th in Japan, and I’ve had the pleasure of watching it in the BFI Film Festival screening of it in October, 2016, where Shinkai himself attended the screening, and most likely again at a screening at a Showcase cinema nearby to where I live.
Because
it might just be my favourite movie of all time.
And
I’ve seen a lot of movies. Good movies, great movies, excellent movies,
masterpieces. Of course, I’ve seen bad movies too, but that’s kept in tight
moderation due to my dad’s professional occupation as a movie critic.
Digressions aside, I’ve seen a lot, and in my subjective, personal opinion that
you don’t have to agree with, this movie is the best thing that I have ever
seen so far.
So,
since this will be a very positive review of the movie, let’s get the bad out
of the way first. Nothing. Okay, let’s move on to the good.
There
is a high level of beauty and quality that is to be expected out of a Makoto
Shinkai movie, due to precedents set by his previous works, such as 5 Centimeters per Second and Garden of Words, both of which are very
high quality works which occupy similar themes of romance and are worth watching
in their own right. Shinkai’s works occupy an animation standard of hyper
realistic, yet incredibly beautiful backgrounds shown through atmospheric
lighting, meticulous detail and immensely high quality animation, which creates
a signature feel to his works that is unique to him. In the case of this movie
however, the adventures of our characters felt grander and more epic in
comparison to the other two I’ve mentioned, yet it also felt more grounded due
to being more plot driven, which makes it a much more immersive and compelling
experience for me.
Speaking
of plot, the story of this movie has more twists and turns than a washing
machine set to maximum then put inside another washing machine set to maximum. Plot
twists can be a good or a bad thing. In most cases, a bad plot twist is usually
used purely to derive shock value from the audience, which is just cheap and
might just destroy your narrative along the way. None of that in this movie. I
was caught completely off guard a multitude of times, and yet after the twists
happen, it all felt natural. In the end, it all felt thoroughly sincere and
genuine, and served only to bury me deeper into its complex storyline.
The
characters, specifically our main two protagonists are admittedly quite
archetypal of the genre, from their personalities to their character designs,
and the romance genre is one that we haven’t seen a shortage of as of late in
anime. However, in this case, I don’t take that as a negative thing that
subtracts from the experience. This is because these two are explored quite
extensively both as individuals, not just as each other’s love interest,
encapsulated in the subplots that pops in and out seamlessly from the main
story.
Coming
back to the topic of visuals, animation quality tends to be underappreciated in
the anime industry. Even with the praise Studio Ufotable gets for its
impeccable implementations of top quality CG and Kyoto Animation’s increasing
recognition in its mastering of the art of subtlety and visual storytelling,
there are still many of those who live and die by the quality of the narrative
aspects of the cinematic work they watch. “Anyone can make high-quality
animation if they have enough money, but it takes talent to write a great storyâ€.
Ever heard anything along those lines? It used to be what I live by. And I have
missed out on so much.
Once
you understand that animators in Japan do back-breaking work with high amounts
of stress and pressure, and get paid very low amounts in comparison to their
colleagues in the production or direction divisions, what with most of them
being freelancers, you would also understand that the animators that create
animation with quality this high is doing god’s work and deserves more praise
and recognition, or at least appreciation.
Lastly,
the themes of young, high school romance is something that a lot of us among
anime fans have seen too much of and are quite sick of, because the genre at
this point practically consists of mass-produced, cheap, low-quality
quick-cash-grabbers. Now forget all of that, because this one is nothing like
that. Romance in anime, when executed well, create the most heart-warming,
compelling and captivating stories I’ve experienced, and the explanation as to
why is lost to even me. And you bet this was executed well. The very idea of
“romanticism†was created for this movie. The breath-taking visuals depicting
scenes of tender and satisfying character moments on a backdrop of impossibly
realistic dream-world landscapes with even some undertones of high-end
metaphysical sci-fi that borders on fantasy achieves a certain magical quality
that makes even Studio Ghibli jealous.
Overall,
this movie didn’t really present any ideas or themes that were completely
original or revolutionary in any way, neither did it explore them in the most
incredibly creative way. But it didn’t need to, because all of these ideas that
might have even seem tired, boring or clichéd in retrospect is executed so damn
beautifully and masterfully that it stays unbelievably captivating throughout
its duration. I found that the notion of taking my eyes away from the screen
impossible, because it didn’t exist to me as I was tangled in this epic odyssey
of romance.
This
was perhaps possible only through the magical combination of Shinkai’s
impossibly gorgeous aesthetics, excellent use of both the soundtrack and theme
songs and its diegetic sounds, and themes of young romance and minute
fantasy-esque sci-fi flavours that was executed in such a way that got me
hysterical every time something mildly remarkable happens. I don’t think I’ve
ever felt this strongly towards a piece of fiction in my life. All of this
might sound very audacious and pretentious, but remember these are just my
completely biased and subjective opinions, and that I look forward to the day
when I find a new favourite movie, whenever that will be.
3735 Kali